About Leading Tone Arts

Mandate
Leading Tone Arts Productions operates with a mandate to educate and promote the public's appreciation of the aesthetic arts by providing interdisciplinary art performances, exhibitions, workshops and training opportunities in, but not necessarily limited to, public parks, senior citizens homes, churches, community centres, educational institutions, art galleries, museums and professional theatre venues.
Brief History
Leading Tone Arts Productions was founded in 1991 by Amanta Scott and David Tomlinson to create, perform and exhibit artistic works uniting visual arts, music, song, theatre and dance and reflecting themes of environmental and social sensitivity and awareness.

In 1993, the (then) Co-Artistic Directors, Amanta Scott and David Tomlinson, brought together as founding members of Leading Tone Arts Productions Inc. a group of persons dedicated to the success of the Leading Tone project, including the late Canadian composer Harry Somers and the late ethicist, educator and businessman Max Clarkson, as well as a number of professionals committed to the arts, who went on to become directors of the corporation. In 1994, Leading Tone Arts Productions Inc. was granted Letters Patent by the Government of Ontario as a not-for-profit corporation; and in 2005 was granted status as a Registered Charity.

Leading Tone Arts Productions is based in Toronto, Ontario, Canada, with outreach to the global community. Installations, workshops and performances have been presented across Canada, Japan, Hong Kong, Singapore and Taiwan. Leading Tone provides access to artistic experiences in non-traditional or unconventional locations such as street festivals, community events, shopping malls, and local fairs - building bridges between art and the public in everyday locations. Leading Tone work is accessible to people of all ages, culture, financial situation, mental or physical capacity. Presentations are designed to be free from language barriers in order to reach a global audience of all ages.

Leading Tone Arts Productions Inc. is an innovative organization that inspires and educates people about the arts, recycling, resource conservation, cultural diversity, mythology and our environment.

Highlights
Exhibitions and Performances

this section is currently in progress...

2009
The New Hybrids- juried exhibition in mixed media - Living Arts Centre, Mississauga
featuring photo-based encaustic painting from Parallel Lines and 15 Minutes of Fame 2
2008
15 Minutes of Fame / Parallel Lines - Scotia Bank Nuit Blanche

http://www.amantascott.com/Art/art_installation/art_inst_Parallel_Lines.html

2007
Shellshock II

http://www.amantascott.com/Art/art_inst_perf/art_inst_perf_Shellshock2.html

2006
Shellshock

http://www.amantascott.com/Art/art_inst_perf/art_inst_perf_Shellshock.html

2004

EnviroArt Recycling Initiative:

a waste diversion, art and recycling initiative utilizing discarded materials provided by
Public Works & Government Services Canada and Correctional Service of Canada

Arising Phoenix:

National Gallery of Canada


2003 - 2002

Glove Forest and Arising Phoenix:

Music Gallery

Art Gallery of Algoma and regional school tour

Thunder Bay Art Gallery and regional school tour

The Robert McLaughlin Gallery and regional school tour
MacLaren Arts Centre

Art Gallery of Peterborough,

Ilan Cultural Centre, Taiwan - sold out 800-seat theatre.


1998 - 1996

Dragon Tango:

Royal Ontario Museum: 10,000 visitors

Singapore International Arts Festival: 3000 visitors

Edmonton Art Gallery: 7500 visitors

Market Hall and Academy Theatre: 6700 students

Hijikawa Wind Museum, Japan

Canadian Embassy, Tokyo


1995

O Canada:

World Trade Centre, Taipei,
commissioned by
Canadian Trade Office in Taipei


Workshops
2001 - 2000

DoorWays

LTAP studio: 5-month workshop: 16 youth-at-risk & seniors

Hong Kong Academy for Performing Arts: 2-week workshop: 35 students

Initiatives
2003 - 2001

Creation and posting of Curriculum Links Document
for new Leading Tone Website: http://www.LeadingToneArts.com

Sponsors and Granting History

2004

Project Grant, InterArts Program, CANADA COUNCIL FOR THE ARTS

Project Grant, Arts Education Projects, ONTARIO ARTS COUNCIL


2003

Project Grant, Touring & Collaborations Program, ONTARIO ARTS COUNCIL


2002

Outreach, Dissemination & Touring, ONTARIO TRILLIUM FOUNDATION


2001

Outreach, Dissemination & Equipment Purchase Grant, ONTARIO TRILLIUM FOUNDATION

Outreach, Dissemination & Audience Development Grant, ONTARIO ARTS COUNCIL

Project Grant, Youth Services Canada, HUMAN RESOURCES DEVELOPMENT CANADA

Job Creation Partnership Grant, HUMAN RESOURCES DEVELOPMENT CANADA

Sponsors for DoorWays 2001:

  • Adobe Systems

  • AGO Industries

  • Academy Theatre

  • Aprons n' More

  • Binney & Smith Canada (Crayola)

  • Black's Photo

  • B & W Sewing Machine Co.

  • Centennial College

  • Color Your World

  • Emma Thomas

  • Lindsay Boys' and Girls' Club

  • Laidlaw Transport

  • Loyalist College

  • MinCom Plus Realty

  • Optimists' Club of Lindsay

  • Polito Ford Lincoln Sales Ltd

  • Rogers AT&T Wireless Express

  • Spectrum Centre

  • The United Way of Victoria County

  • Victoria County Career Services


2000

Project Grant, ARTS LINDSAY


1999

Travel Assistance Grants (2), CANADA COUNCIL

Project Grant, LAIDLAW FOUNDATION


1997

Travel Assistance, TOWN OF LINDSAY

Project Grant, ARTS LINDSAY

Pre-tour Grant, CANADA COUNCIL


1994

Project Grant, TORONTO ARTS COUNCIL

Project Grant, M.M. WEBB FOUNDATION

Project Grant, METRO TORONTO CULTURAL AFFAIRS

Trust Fund Grant, TORONTO MUSICIANS' ASSOCIATION


1993

Project Grant, METRO TORONTO CULTURAL AFFAIRS

Project Grant, TORONTO ARTS COUNCIL

Equipment Purchase Grant, MINISTRY OF CULTURE AND COMMUNICATIONS

Project Grant, IMPERIAL OIL FOUNDATION

Project Grant, M.M. WEBB FOUNDATION

Trust Fund Grant, TORONTO MUSICIANS' ASSOCIATION


1992

Project Grant, CITY OF YORK

Trust Fund Grant, TORONTO MUSICIANS' ASSOCIATION

Equipment Purchase Grant, MINISTRY OF CULTURE AND COMMUNICATIONS

Project Grant, TORONTO ARTS COUNCIL

Profile of Artistic Director and Chief Executive Officer





Toronto-based artist Canadian artist, musician and educator Amanta Scott founded Leading Tone Arts Productions in 1991.

Critically acclaimed as "cutting edge", "ground breaking" and "strikingly innovative" Amanta has exhibited and performed extensively in art galleries, museums, theatres, dance, concert venues and festivals throughout Asia and North America including: National Gallery of Canada; The Canadian Embassy in Tokyo; Ilan Cultural Centre Theatre, Taiwan; Singapore International Arts Festival; Royal Ontario Museum; Edmonton Art Gallery; The Robert McLaughlin Gallery; Music Gallery; Thunder Bay Art Gallery; Art Gallery of Algoma; Art Gallery of Ontario; Art Gallery of Peterborough; and recently in Toronto’s Nuit Blanche 2008.

Amanta has directed workshops across Canada, Hong Kong, Japan and Taiwan for primary and secondary schools, colleges, youth at risk and professional development. Amanta received a Bachelor of Music Degree from the University of Toronto and studied sculpture at Central Technical School Art Centre.

Amanta uses found resources to create symbolic works that speak directly to the deeper aspects of the human psyche, sparking a numinous experience: an ‘a-hah!’ moment, or a deep reflective state in which new insights emerge. Her ‘found resources’ may be material objects, images, sounds, people, words, ideas and/or actions.

In 1996, reacting to discipline-based isolation of the arts in western cultures, Amanta and Peter Oldham (then-Political Consul, Canadian Embassy in Tokyo) coined the term “Syncretic Art” - the fusion of disparate elements: visual arts, music, theatre and dance. Happy in the trenches, far from the ivory tower, Amanta actively seeks to engage the public, questioning and empowering viewers to explore diverse and sometimes contradictory interpretations of a work. Motivated by curiosity, Amanta Scott seeks the interactive. “What happens when I/you…?” “What does this do for you?” “How do you feel?”

In 1994 the Government of Japan - Agency for Cultural Affairs honoured Amanta with an Artist Fellowship Award, a four-month residency in Japan to study the culture, art, music, theatre and dance. In 1995, Amanta Scott became one of the first Canadian artists to be honoured with an Artist Fellowship Award from the Japan Foundation. During her six-month residency in Japan, Amanta created the installation Dragon Tango – which toured Japan and was subsequently exhibited at the Royal Ontario Museum, Edmonton Art Gallery and Singapore International Arts Festival.

In 2004 her work, Arising Phoenix, was featured at the National Gallery of Canada.

In 2008, Parallel Lines and 15 Minutes of Fame were featured in Nuit Blanche Toronto 2008, Zone B, in a show curated by Wayne Baerwaldt.

Amanta and has traveled extensively, circumnavigating the world several times, and living on a mountain in Japan. In 1996 she left downtown Toronto for the windy sunset shores of Lake Scugog and in 2006, Amanta returned to live in Toronto.

Board of Directors

Gary Carper - Chair

retired teacher (more information coming)

Saint-cyr Shibura - Treasurer

    (information coming)


Jason Maclean - Secretary

Associate, Osler Hoskin & Harcourt LLP (Litigation Department), Toronto

Jeannie Callum

    Director of Transfusion Medicine & Tissue Banks, Sunnybrook Health Sciences Centre


Jim Montgomery

Jim Montgomery has been involved with electroacoustic music since 1970 when he came to the University of Toronto as a graduate student. There he studied composition with with Gustav Ciamaga and John Weinzweig.

He is a founding member of the Canadian Electronic Ensemble (CEE), the world's longest lived electroacoustic group.

His works have represented Canada at the International Rostrum of Composers, the Latin American Courses in Contemporary Msic and the International Society for Contemporary Music. His composiitons utilize many media, those for the stage displaying a defininte socio-political activism, as in the series of works titled Didactic Musics.

Mr. Montgomery has composed many works combining acoustic and electroacoustic instruments and has developed several new procedures for collective composition and structured improvisation. The culmination of this series so far was the large work Megajam (1992) which used twenty live-electronic performers. Mr. Montgomery's interest in computer music dates from his involvement with William Buxton's Structured Sound Synthesis Project at the University of Toronto in the late 1970s and early 1980s. Currently, he is at work in developing interractive works for multiple computers.

In his parallel career as an arts administrator, Jim Montgomery served as Managing Director of the Canadian Electronic Ensemble from 1976 to 1983 and Administrative Director of New Music Concerts from 1984 to 1987. Since 1987, he has been the Artistic Director of the Music Gallery, Canada's leading new music concert venue.
Jim Montgomery is a past president of the Canadian League of Composers and has served as a lecturer in the Faculty of Education of the University of Toronto (Elecrtonic Media). He is an Associate of the Canadian Music Centre and a member of the Canadian Electroacoustic Community.
Planning Team
Tara McMurtry
(information coming)
Fiona Griffiths
Teacher, Actor, Choreographer and Body Worker,
former Artistic Director for the Theatre Resource Centre
Retired Board Members
Tara McMurtry
(information coming)

Phyllis Whyte

Phyllis Whyte is the Artistic Director of the Claude Watson Arts Program at Earl Haig Secondary School in Toronto where she has also taught dance and been the Head of the Dance Department since 1989. Ms Whyte was a scholarship student and apprentice choreographer with The Toronto Dance Theatre and an independent dancer and choreographer in Toronto. She has traveled extensively both on her own and leading trips for students, introducing teenagers to the joys of international travel and the arts in other cultures.

Richard McNeill

Richard McNeill is a professional artist and teacher at Central Technical School, Art Centre. Richard's work has been shown in significant solo and group exhibitions in North America and Europe.  He is the recipient of numerous government grants and exhibition awards with many large works executed, as commissions, for development sites within Toronto. Currently, he is the Site Supervisor of Night School at The Art Centre of Central Technical School, Toronto, where he also continues as senior Sculpture Instructor. He sits on several art boards and is Vice-President of the Sculptors Society of Canada and Co-Director of the Canadian Sculpture Centre.

Julian Pencharz, former Treasurer

Julian Pencharz is a Chartered Accountant and is currently Controller of EQAO (Education Quality and Accountability Office,) an agency of the Ontario Government responsible for standardized testing across the Province. He has over twenty years experience at senior levels of organizations in a range of industries including; investments, entertainment and education. The entertainment business included musical theatre, rock and roll acts and film distribution. He thrives in startup/turnaround situations, business improvement, strategic planning and managing financial systems. Julian has been a Director on the board since the inception of Leading Tone Arts Productions Inc and is one of its founding members.

Judi Schwartz, Former Chairperson

Judi Schwartz has been the art gallery director/curator for Hart House, University of Toronto. In 2006 she retired and is now enjoying travelling. In addition she guest lectures in the Museum Studies department of the university. She has been located on the University of Toronto campus for thirty five years from the time she entered to pursue Bachelors and Masters of Arts degrees to her working career in the same location. She sits on a few boards of directors of cultural institutions and is active in a couple of professional associations. She is currently the chairman of the Board for Famous People Players in addition to her chairmanship for Leading Tone Arts Productions. In the past few years she was the driving force behind two publications, both of which she coordinated and was a contributing writer:  "A Strange Elation: Hart House, The First Eighty Years" and "Art and Everything". In her spare time, she travels the world in search of adventure, art and artifacts, new recipes, and learning about other cultures. She also enjoys experimenting with those new recipes when time permits. For meditative therapy, she has taken up the old art form of rug hooking. Judi has been a director of Leading Tone since 1994 and is one of its founding members.

Chris Goldie

(information coming)

Robin Basu

(information coming)

Harry Somers, O.C. (1925 - 1999)

Harry Somers was one of the founding members of Leading Tone Arts Productions. He was a director on the board of Leading Tone Arts Productions from 1991 - 1999. One of Canada's most internationally-known composers, he was a founding member of the Canadian League of Composers and in 1971 was named a Companion of the Order of Canada. His music includes works for orchestra, choir, voice, instrumental ensemble and piano, as well as for stage, film and television. His best-known work is the opera Louis Riel, commissioned for performance during Canada's Centennial Year, 1967.

Somers described his artistic development: "I've worked consistently on three different levels with three different approaches to composition. On one level my approach has been what I call 'community music' or 'music for use': for example music for amateurs and music for school use. On a second level I've created 'functional music,' in the specific sense: music for television, films and theatre, where the composition has to serve the demands of that medium. On a third level I have created without consideration for any limitations, sometimes completely experimentally, sometimes extending the line of a particular direction on which I had been working through a series of works, relating to a more restricted audience and to my personal development as an artist."

Harry Somers died on March 9, 1999. He left Canada and the world of music, an inestimable legacy of some of the most original and dramatically powerful scores of the century. His work has embodied Canadian music for the last half century and is truly a major part of Canada's heritage.

Max Clarkson (1922 - 1998)

Max Clarkson was an avid supporter of new work in literature and the arts. He was a founding member and director on the board of Leading Tone Arts Productions from 1991 - 1998. Max Clarkson's career spanned two cultures, business and academia. The experience he gained from 24 years as a successful and innovative executive in the printing industry in the United States became the basis for the teaching and research he conducted as Dean and then Professor Emeritus in the Faculty of Management [now the Rotman School of Management] at the University of Toronto.

The year after his retirement from the faculty in 1988, Mr. Clarkson founded the Centre for Corporate Social Performance and Ethics in the Faculty of Management, now the Clarkson Centre for Business Ethics & Board Effectiveness

"Business Ethics is about the strategic management of ethical and trustworthy corporations, it is about the management of conflicts of interest, and it is about the management of risk so that wealth is created for society without increasing the risks to which people or the environment may be exposed, unknowingly or unwillingly." Max Clarkson

Clarkson's Graphic Controls Corporation pioneered important advances in labour relations long before they became more widely practiced in North American companies. Two examples of these were the introduction of profit sharing and an employee stock purchase plan by 1960.

He co-founded the Allentown Community Center in 1971 in the mixed-income district of Buffalo where he resided. In 1988, it expanded and was renamed the Clarkson Centre for Human Services. It was one of Max's proudest achievements.